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Born in Porto, Portugal
Lives and works in London sarasararodrigues0@gmail.com Co-Director NME - New Maker Ensemble Co-Director The LivingRoom Junior Fellow at Goldsmiths, University of London Art Department, 2019-2020 EDUCATION
2020 PDC (Permaculture Design Course) Design for Action, with Graham Burnett (March-May) 2017-2019 MFA FINE ART, Goldsmiths, University of London 2013-2016 BMUS MUSIC, Goldsmiths, University of London 2009-2012 BA FINE ART, Sir John Cass School of Art and Design, London Metropolitan University 2008-2009 FOUNDATION DIPLOMA IN ART & DESIGN, Loughborough University School of the Arts EXHIBITIONS / PERFORMANCES 2020 PEER FORUM in collaboration with Artquest, The Horniman Museum and Gardens, London (January-July) DEPICTIONS OF LIVING, The Art Pavilion, Mile End, London (January 23-28) 2019 NME: SISTEMA, Iklectik, London ILHÉSTICO, Porta 33, Funchal, Madeira GOLDSMITHS MFA DEGREE SHOW, Goldsmiths, University of London FLUCTUATIONS: MISSA PRO DEFUNCTIS, Art Night / Chalton Gallery, London ALLUSION TO A BODY NO LONGER PRESENT: BOOK LAUNCH AND SCREENING, Kunstraum, London NOTHING REALLY MATTRESS PERFORMANCES, Bloomberg New Contemporaries, South London Gallery HEAVY DUTY: Sara Rodrigues, Change Room, London 2018 LET'S STAY IN TOUCH : RHYTHM OF RELATIONS, Enclave Lab / Artlicks Weekend, London NÃO É AINDA O MAR, Convento Corpus Christi - Sismógrafo / Fórum Internacional Gaia Todo um Mundo, Gaia GOLD X - DEPTFORD X, Goldsmiths Deptford Studios, London LET'S STAY IN TOUCH : RHYTHM OF RELATIONS, The Glove That Fits, London TAXONOMIA, O ESTADO DAS COISAS, Galeria Rua do Sol, Porto NME: SISTEMA, Teatro Municipal Baltazar Dias, Funchal, Madeira NME: SISTEMA, Centro Cultural John dos Passos, Ponta do Sol, Madeira NME: SISTEMA, Fórum Machico, Madeira LETS TALK ABOUT TOMORROW, No Format Gallery, London ALLUSION TO A BODY NO LONDER PRESENT, St. Giles Church, Barbican - Kunstraum / Block Universe Festival ALL PLACES SHALL BE HELL THAT IS NOT HEAVEN, Bilt Mansions, London ALLUSION TO A BODY NO LONDER PRESENT, The Swiss Church, London 2017 NME: READING ROOM, Open Platform, Wellcome Collection, London UNDER CONTROL, Concertina, Arebyte Gallery, London City Island EXCLUSÃO CIRCULAR, Festival Zona Não Vigiada - Casa Conveniente / Os Dias de Marvila - Teatro Maria Matos, Lisbon TAXONOMIA / O ESTADO DAS COISAS, Pipinoir, Funchal, Madeira Island (August) LANGUAGE AND SOUND AS SCULPTURE, XXIII CSAV - Artists Research Lab, Fondazione Antonio Ratti, Italy CENTRAL HOUSE ASSEMBLY, Open Field Residency, CASS, London OBJECTS IN THE MIRROR MAY BE CLOSER THAN THEY APPEAR, Lewisham Art House 2016 PLACE | HATCHAM, “Sounds Between” Festival, Ivy Arts Centre, Surrey University 840 x NME: New Music for Voices and Strings, St. James Church, Islington LIQUID LOVE, EnclaveLab, London DE REGRESO A LA ISLA, Casal Solleric, Fundaciò Palma Espai d'Art, Mallorca PLACE | HATCHAM, St. Catherine's Church Hatcham, Telegraph Hill, London SOCIAL AMNESIA - SOUTH BANK MASTERPLAN, PureGold Festival, South Bank Centre PLACE | TRATUÁRIO, no. 50 Rua Nova de São Pedro, Funchal, Madeira STRANGE UMBRELLAS 011, Chalton Gallery, London NME: PARTIAL PERSPECTIVES, Goldsmiths University of London ZEALOUS X FESTIVAL, Rich Mix, London JOHN IN A CAGE, Chalton Gallery, London 2015 PLACE | CNE - Vai e Vem, Rhome - Faculdade de Letras da U.Lisboa NME: DECEMBER 2015, Goldsmiths University of London UNDERTONE // 01, Hundred Years Gallery, London PLACE | CNE, Trampolim - Gerador, Jardim do Principe Real, Lisbon ALL THAT MATTER / OUTMATTERS with Sara Rodrigues / Marc Behrens, Sismógrafo, Porto SARA RODRIGUES: EU NÃO SEI DIZER MAIS solo show, Sismógrafo, Porto GOLDSMITHS’PALERMO PERFORMANCE PRACTICES, Teatro Nuovo Montevergini, Sicily JULY THE 4TH, 2015 with Neil Leonard, Sismógrafo, Porto NME: MIGRATIONS, St. Lawrence Church, Catford, London NME: COERCION, Goldsmiths University of London AFTER THE FALL, you have got my bone, Old Foyles Bookstore, Charing Cross, London 2014 THE REST IS NOISE, Upstairs at the Ritzy, London A WAY HOME, The LivingRoom, London NEW MUSIC DAY, PureGold Festival, Goldsmiths University of London COMPOSERS FORUM, Goldsmiths University of London SEM QUARTEL/WITHOUT MERCY, Sismógrafo, Porto THE BECOMING - A PASSAGEM, 1ª Avenida Residency, Porto 2013 SARA RODRIGUES: FROM STONE TO MAN, FROM MAN TO STONE solo show, Miguel Bombarda, Porto "THOTS" AND... (invited contributor), Mile End Pavilion, London 2012 CASS 2012 DEGREE SHOW, Sir John Cass School of Art, London AVANT PRÉMIÉRE, Arebyte Gallery, London KNELL DOBRE GLAS, Galeria Quadrado Azul, Porto KNELL DOBRE GLAS, Galeria Quadrado Azul, Lisbon 2011 SOMEWHERE SOMEHOW WE REPAIR, Body Studio Space, London BOK BOK, Galerija Miroslav Kraljevic, Zagreb 2010 COLLECTIVE UNCONSCIOUS, Here Today Gone Tomorrow space, London EXHIBITIONISM, Sir John Cass School of Art, London TRUTRADING, Trutrading space, London OTHER PROJECTS 2020 NEW MUSIC SHOW, 840 concert broadcasting, BBC RADIO 3 IRRUPTIVE CHORA with Lou-Atessa Marcelin - RHO performance, Chalton Gallery, London 840 CONCERT SERIES performance with NME, Café Oto, London MUSIQUE CONCRÈTE by Cecília Arditto - post-concert Panel Discussion, Splendor, Amsterdam 2019 SALTICIDAE publication launch with The LivingRoom, Chalton Gallery, London EXPANDED ECOLOGIES 'A day of exploration, care, sharing and listening', Jupiter Woods, London 2017 THE LIVINGROOM 'COMPANION PLANTING', Goldsmiths allotment, London ENSAIO PARA UMA CARTOGRAFIA by Mónica Calle, Teatro Nacional D. Maria II, Lisbon (guest performer) VOCAL WORKSHOP for Collaborative Seminar, visiting tutor at Goldsmiths MFA Fine Art 2016 THE LIVINGROOM ‘CANNING TIME’, El Cheap’ Ou discount store, Deptford High Street - Art Licks Weekend 2015 THE LIVINGROOM ‘A LEAP OF FAITH’, St. Lawrence Church, Catford, London LATE AT TATE: JENNY MOORE & TATE COLLECTIVE, Tate Britain, London FEEL THE DISCOURSE: TAMARA KUSELMAN SOLO PERFORMANCE, Guest Projects MUSIC AND POLITICS CONFERENCE: ALAN HILARIO PERFORMANCE, Goldsmiths University of London THE LIVINGROOM ‘PLANES OF FLOW’, Windsor - Antique and Modern Furniture, New Cross 2014 THE LIVINGROOM ‘A WAY HOME’, Family house in New Cross, London 2013 A ∩ B ∩ C (line): AMALIA PICA, Herald St Gallery, London UTE WASSERMANN'S VOICE LAB, Serralves em Festa, Casa de Serralves, Porto, Portugal PUBLICATIONS & PRESS 2019 SALTICIDAE 'A publication research on Independent Art Spaces Initiatives' featuring The LivingRoom NÃO É AINDA O MAR, curated by Óscar Faria, published by Sismógrafo (coming soon) ALLUSION TO A BODY NO LONGER PRESENT, Swiss Church in London / Kunstraum, Studio Ard design HEAVY DUTY, interview with Oana Damir, The Change Room 2018 HOW DO WE MAKE A WE, XXIII CSAV, Fondazione Antonio Ratti, published by Motto Books A RETURN TO THE ISLAND, Helena Lugo, supported by Goldsmiths Annual Fund 2017 DE REGRESO A LA ISLA, Helena Lugo, published by Casal Solleric, Fundaciò Palma Espai d'Art 10 YEARS LONDON ZAGREB EXCHANGE, published by Galerija Miroslav Kraljevic, Zagreb 2016 THE NME ANNOUNCE THE LAUNCH OF PLACE: AN INTERNATIONAL PROJECT ON CULTURAL RESEARCH AND ARTISTIC PRACTICE, Gabriele Cavallo NOTES ON SPACE AND TIME: SARA RODRIGUES EXPLORES THE LEGACY OF JOHN CAGE A RIX MIX OF VERSATILE ARTISTS: THE NME PERFORM AT ZEALOUS X, Gabriele Cavallo 2015 SETE PERGUNTAS A SARA RODRIGUES, Paulo Moreira Lopes, Correio do Porto 2014 1ª AVENIDA, Porto Lazer 2012 EXPOSIÇÕES - 2012 EM BALANÇO, Ipsilon, Jornal Público SARA RODRIGUES: BENEATH THE BEACH, Sara Rodrigues 2011 SOMEWHERE SOMEHOW WE REPAIR , Rebecca Collins, Trebuchet Magazine SPACE, Fred Vernon. Compilation of 6 artists selected texts, edition of 100. 2010 AN UNCONSCIOUS ADVENTURE, Casper Daysh, theHub Sara Rodrigues is an interdisciplinary artist working with audiovisual composition and performance, with an immersive research-led practice that appears both as short interventions and long-duration projects. Composing with open structures that often call for participation, her work explores the complex relations of life-making, producing scores that explore varying levels of agency and implications. Looking at the interconnectedness of humans with their ecosystems, both micro and macro, she is interested in the possible forms of affect within the work and effect beyond it.
Fellow of the network ‘Music Composition as Interdisciplinary Practice’, a research-creation network initiated by Tom Armstrong, professor and researcher at Surrey University - Guildford, with funding from the Arts and Humanities Research Council (AHRC). Research and work becoming publicly available at the Post-Graduate Research Unit, Surrey University.
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